Rediscovery of S Italy in Nineteenth Century & Modern Age. Slides

1) Jean Auguste Dominique Ingres, Antiochus and Stratonice, c. 1838, oil on fabric, 48.1 63.9 cms, Cleveland Museum of Art.

2) Theseus and the Minotaur, previously Herculaneum, now Archaeological Museum, Naples.

3) Jean Auguste Dominique Ingres, Antiochus and Stratonice, 1840, oil on canvas, 98 x 57 cms, Musée Conde, Chantilly.

4) Ulysses and Penelope, from a mural in the Macellum of Pompeii.

5) Edouard Alexandre Sain, Excavations at Pompeii, 1865, oil on canvas, 120 x 172cms, Musée d’Orsay, Paris.

6) Joseph Franque, Scene during the Eruption of Vesuvius, 1827, oil on canvas, 2.96 x 2.28 m, Philadelphia Museum of Art.

7) Frédéric Schopin, The Last Days of Pompeii, c. 1850, oil on canvas, 59 x 91cms, Petit Palais, Musée des Beaux-Arts, Paris.

8) Karl Bryullov, The Last Days of Pompeii, 1833, oil on canvas, 4.56 x 6.5 m, State Russian Museum, St Petersburg.

9) Théodore Chasseriéau Self-Portrait, 1835, oil on canvas, 99 x 82 cms, Musée du Louvre, Paris.

10) Théodore Chasseriéau, Tepidarium: The Room Where the Women of Pompeii Came To Rest And Dry Themselves After Bathing, 1853, oil on canvas, 1.71 x 2.58 m, Musée du Louvre, Paris.

11) Benjamin Winkles (after William Gell), The Tepidarium, Plate XXIX, vol 1 of Gell and Gandy, Pompeiana, London, 1832.

12) Hector Leroux, Herculaneum 23^rd August, A.D. 79, 1881, oil on canvas, 190 x 303 cms, Musée d’Orsay, Paris.

13) John Martin, The Destruction of Pompeii and Herculaneum, 1822-1826, oil on canvas, 83.8 x 121.9 cms, University of Manchester.

14) Sebastian Pether, Eruption of Vesuvius with Destruction of a Roman City, 1824, oil on canvas, 71.4 x 92 cms, Museum of Fine Arts, Boston.

15) James Hamilton, The Last Days of Pompeii, 1864, oil on linen, 152.2 x 122 cms, Brooklyn Museum, New York.

16) Edward John Poynter, Faithful Unto Death, 1865, oil on canvas, 115 x 75.5 cms, Walker Art Gallery, Liverpool.

17) Thomas Couture, The Romans of the Decadence, 1847, oil on canvas, 472 x 772 cms, Musée d’Orsay, Paris.

18) Luigi Bazzani, A Visit to Pompeii, 1880s, oil on canvas, 47.8 x 66 cms, Private Collection.

19) Francesco Netti, Gladiator Fight during a Meal at Pompeii, 1880, oil on canvas, 115 x 208 cms, Capodimonte, Naples.

20) Alfred Elmore, Pompeii, A.D. 79, 1878, oil on canvas, 91.4 x 71.1 cms, Yale Centre for British Art.

21) Lawrence Alma Tadema, 1869, An Exedra, 1869, oil on wood, 38 x 60.3 cms, Frances Lehman Loeb Art Centre, Vassar College.

22) Lawrence Alma-Tadema, Glaucus and Nydia, 1867, reworked 1870, oil on wood, 39 x 64.3 cms, Cleveland Museum of Art.

23) Randolph Rogers, Nydia, the Blind Flower Girl of Pompeii, c. 1854, marble, 91.9 x 43.9 x 64.1 cms, Smithsonian Art Museum, Washington.

24) Hiram Powers, The Greek Slave, 1851, marble, 165.7 x 53.3 x 46.4 cm, Yale University Art Gallery.

25) Robert S. Ducanon, Pompeii, 1855, oil on canvas, 53.3 x 43.2 cms, Smithsonian Art Museum, Washington.

26) Wilhelm Marstrand, Portrait of Edward Lear, 1840, location not known.

27) Edward Lear, Illustration to The Owl and the Pussycat, 1871.

28) Edward Lear, The Capitol, 1838, graphite and watercolour on paper, Tate, London.

29) Cover of Edward Lear in Southern Italy.

30) Map of S Italy with Calabria.

31) Lithograph of Palizzo from Lear’s Journals of a Landscape Painter in Southern Calabria, 1852.

32) Photograph of modern Palizzo.

33) Edward Lear, View of Reggio and the Straits of Messina, 1852, oil on canvas, Tate, London.

34) John Singer Sargent, Head of a Capri Girl, 1878, oil on canvas, 22.9 x 25.4 cms, Private Collection.

35) John Singer Sargent, A Capriote, 1878, oil on canvas, Museum of Fine Arts, Boston.

36) John Singer Sargent, View of Capri, 1878, oil on canvas, 50.8 x 63.5 cms, The Warner Collection of Gulf States Paper Corporation, Tuscaloosa, Alabama.

37) John Singer Sargent, Rosina-Capri, 1878, oil on canvas, 19.7 x 25.5 inches, Private Collection.

38) John Singer Sargent, Staircase in Capri, 1878, oil on canvas, 81.9 x 46.3 cms, Private Collection, London.

39) John Singer Sargent, Head of Ana-Capri Girl, 1878, oil on canvas, measurements and location unknown.

40) Charles Sprague Pearce, Moments of Thoughtfulness, 1882, oil on canvas, 73.7 x 54 inches, Private Collection.

41) Sigmund Freud’s Cast of Gradiva, c. 1910, plaster cast, 79.5 x 44.8 x 7.8 cms, Freud Museum, London.

42) “Gradiva” relief, Roman copy of Greek original, marble, 72.5 x 84 cms, Museo Chiaramonti, Vatican City.

43) Galerie Gradiva, left bank, Paris, design, Marcel Duchamp.

44) Salvador Dali, Gradiva Discovering the Anthropomorphic Ruins, 1931-32, oil on canvas, 65 x 54 cms, Thyssen- Bornemisza, Madrid.

45) André Masson, Gradiva, 1939, oil on canvas, 97 x 103 cms, Centre Pompidou, Paris.

46) Sleeping Ariadne, marble, Vatican.

47) Rothko Room, Tate Modern, London.

48) Mark Rothko, Untitled Seagram Mural, (Sketch), 1959, oil and acrylic on canvas, 183.5 152.7 cms, National Gallery of Art, Washington.

49) Robert Rauschenberg, Small Rebus, 1956, combine: oil, graphite, paint swatches, newspaper, magazine clippings, black and white photographs, U.S. map fragment, fabric and 3 cent stamps on canvas, 88.9 x 116.8 cms, Museum of Contemporary Art, Los Angeles.

50) Giorgio Sommer, Cast of a Dog Killed by the Eruption of Mount Vesuvius, Pompeii] - Catalogue nr. 1287., 1863, albumen silver, Getty Centre, Los Angeles.

51) Anon photographer, live dog at Pompeii.

52) William Baziotes, Pompeii, 1955, oil on canvas, 152.4 x 121.9 cms, MOMA, New York.

53) Andy Warhol, Mount Vesuvius, 1985, screen print on linen, hand-coloured with acrylic, 72.4 x 81.3 cms, Andy Warhol Museum, Pittsburgh.

54) Andy Warhol, Vesuvius (Artist’s Proof 48/50), 1985, screenprint, 79.9 x 99.7 cms, Andy Warhol Museum, Pittsburg.

55) Giorgio Sommer, Eruption of Vesuvius, 26^th April, 1872.