Slides
-
Michelangelo, The Last Judgement, c. 1536-1542, fresco, Vatican, Rome.
-
Sebastian del Piombo, Clement VII, about 1531, oil on slate, 05.4 × 87.6 cm, Getty Museum, Los Angeles.
-
Raphael, Sibyls and Prophets, c. 1514, fresco, Santa Maria della Pace, Rome.
-
Same: The Sibyls.
-
Bartholomeus Spranger, Last Judgement, c. 1570, oil on copper, 116×148 cm, Galleria Sabauda, Turin.
-
Anonymous artist, Portrait of Gabriel Paleotti, 16th century, University of Bologna.
-
Annibale Carracci, Venus and Adonis, Oil on canvas, 217×246 cm, Kunsthistorisches Museum, Vienna.
-
Michelangelo, Charon and Minos in Hell.
-
Annibale Carracci, Butcher’s Shop, Christ Church Picture Gallery, Oxford, 1580s, oil on canvas, 185×266 cms.
-
Annibale Carracci, A Man Weighing Meat, Royal Collection, Windsor, 1582-3, red chalk on beige paper.
-
Rosso Fiorentino, Pietà, 1537-40, oil on wood transferred to canvas, 125×159 cm, Musée du Louvre, Paris.
-
Alexander Colijn, Façade of the Otto Heinrich Wing, 1557-1558, stone, Castle, Heidelberg.
-
Georg Pencz, Portrait of Count Palatine Ottheinrich, Portrait of Count Palatine Ottheinrich, c. 1550, oil on panel, 94×73 cm, The Hermitage, St. Petersburg.
-
Hans von Aaachen, Portrait of Emperor Rudolf II, 1590s, oil on canvas, 60×48 cm, Kunsthistorisches Museum, Vienna
-
Giuseppe Arcimboldo, Two portraits of Rudolf II with crown, 1575, black pen and ink on paper, 165×165 and 155×155 mm, Národní Galerie, Prague.
-
Adriaen de Vries, Victory of Rudolph II over the Turks, 1609, bronze, height 71 cm, Hofmuseum, Vienna.
-
Giuseppe Arcimboldo, Self-Portrait, 1571-76, Pen, blue wash, 231×157 mm, Národní Galerie, Prague.
-
Giuseppe Arcimboldo, Vertumnus, (Portrait of Rudolf II), c. 1590, oil on panel, 68×56 cm, Skoklosters Slott, Bålsta (Stockholm)
-
Giuseppe Arcimboldo, Summer, 1563, oil on panel, 67×51 cm, Kunsthistorisches Museum, Vienna.
-
Giuseppe Arcimboldo, Winter, 1563, oil on panel, 67×51 cm, Kunsthistorisches Museum, Vienna.
-
Giuseppe Arcimboldo, The Librarian, c. 1566, oil on canvas, 97×71 cm, Skoklosters Slott, Bålsta (Stockholm).
-
Hans Vredman de Vries, Architectural capriccio, 1596-98, oil on panel, 65×89 cm, Private collection.
-
Titian, Jacopo Strada, 1567-1568, oil on canvas, 125×95 cm, Kunsthistorisches Museum, Vienna.
-
Georg Pencz, Portrait of Martin Luther, 1533, oil on panel, 41×32 cm, Private collection.
-
Francesco Borromini, Oratorio dei Filippini, Rome, 1637-1650.
-
Guido Reni, The Virgin Appearing to St Philip Neri, c. 1675, oil on canvas, 343×197 cm, Galleria Palatina (Palazzo Pitti), Florence.
-
Carlo Marratti, The Virgin Appearing to St Philip Neri, c. 1675, oil on canvas, 343×197 cm, Galleria Palatina (Palazzo Pitti), Florence.
-
Cerasi Chapel, Santa Maria del Popolo, Rome.
-
Annibale Carracci, Assumption of the Virgin, Cerasi Chapel, Santa Maria del Popolo, Rome, 1600-1601, oil on canvas, 245×155 cms
-
Caravaggio, The Conversion of St Paul, Cerasi Chapel, Santa Maria del Popolo, Rome, 1600, oil on canvas, 230 x 175 cms.
-
Caravaggio, The Crucifixion of Saint Peter, 1600-01, oil on canvas, 230×175 cm, Cerasi Chapel, Santa Maria del Popolo, Rome.
-
Peter Paul Rubens, Madonna Adored by Angels (Madonna della Vallicella), 1608, oil on slate, 425×250 cm, Santa Maria in Vallicella, Rome.
-
Peter Paul Rubens, The Ecstasy of St Gregory the Great, 1608, oil on canvas, 477×288 cm, Musée des Beaux-Arts, Grenoble.
-
Domenichino, Saint Ignatius of Loyola's Vision of Christ and God the Father at La Storta, 1622, oil on canvas, 166.1×98.1 cm, Los Angeles County Museum of Art.
-
Giacomo Barozzi da VignolaIl and Giacomo della Porta, IlGesù, Home of the Jesuits, Rome, consecrated 1584.
-
Andrea Pozzo, Altar of St Ignatius Loyola, 1695-99, marble, bronze, Il Gesù, Rome
-
G.B. Gaulli, Il Gesù, Dome, Triumph of Jesus.
-
Detail of ceiling showing the trompe l'oeil effect
-
Andrea Pozzo, The Worldwide Mission of the Society of Jesus, 1691-1694, Church of St Ignatius, Rome.
-
Same, closer view.
-
Cornelis Bloemart, after Jan Miel, engraved frontispiece to Danielo Bartoli, Della Vita e dell’Istituto di S. Ignatio fondatore della Compagnia di Gesù, Rome 1659.
-
Andrea Pozzo, Tomb of St Ignatius, Gesù, Rome.
-
Abbey of Montserrat, Spain.
-
Diego Velásquez, Portrait of Portrait of Juan Martínez Montañés, 1635–1636, oil on canvas, 109 cm × 107 cm (43 in × 42 in), Museo del Prado, Madrid.
-
Juan Martinez Montanes, Saint Francis Borgia, about 1624, polychromed wood and cloth, 174×68×51 cm.
-
Juan Martínez Montanes, St Ignatius Loyola, c. 1610, polychromed wood, Chapel, Seville University.
-
Detail: Head of St Ignatius.
-
Theodore Galle, re-engraved after anonymous engraving, Pedro de Ribadeynera with portrait of St Ignatius.
-
Alonso Sanchez Coello, St Ignatius, 1585, oil on canvas, formerly Madrid Jesuit College.
-
Peter Paul Rubens, Miracles of St Ignatius, 1615-20, oil on canvas, 400×275 cm, Chiesa del Gesù, Genoa.
-
Bernini, First Bust of Scipione Borghese, 1631, marble, 78 cm, Galleria Borghese, Rome.
-
Bernini, Apollo and Daphne, 1622-25, Carrara marble, height 243 cm, Galleria Borghese, Rome.
-
Detail: Daphne.
-
Bernini, St Teresa Group, 1647-1652, marble, life-sized, Santa Maria della Vittoria, Rome.
-
Same.
-
Same.
-
Alonso Cano, St Teresa’s Vision of the Resurrected Christ, about 1624-1630, oil on canvas, Coleccion Forum Filatelico, Madrid.
-
Balthasar Permosa, Marsyas, 1680-85, marble, height 69 cm, Metropolitan Museum of Art, New York.
-
Marsyas, different view.
-
Bernini, Damned Soul, c. 1619, marble, Palazzo di Spagna, Rome.
-
Balthasar Permosa, Apotheosis of Prince Eugene, 1718-21, marble, height 230 cm, Österreichische Galerie Belvedere, Vienna.
-
Karel Škréta, Self-Portrait, 1647, oil on canvas, 210×247.5 cm, National Gallery in Prague, Prague.
-
Karel Škréta, Portrait of a Painter (possibly N.Poussin), c. 1635, oil on canvas, c. 1635, 83×70cm, National Gallery, Prague.
-
Karel Škréta, The Mathematician and his Wife, 1640-1650, oil on canvas, 93.5 × 73.5 cm, National Gallery in Prague, Prague.
-
Karel Škréta, Portrait of the gem-cutter Dionysio Miseroni and his Family, 1653, oil on canvas, 185×251 cm, National Gallery in Prague, Prague.
-
Detail: Gem cutting workshop, on the left are heads of Dionysio's wife Marie Ludmila and daughter Marie Laura .
-
Detail: Dionysio with his older sons (on left) Jan Octavius and Ferdinand Eusebius.
Comments
You can follow this conversation by subscribing to the comment feed for this post.