Slides.
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William Blake, Frontispiece to The Marriage of Heaven and Hell, 1790-93.
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Pierre Joseph Prudhon, Les Amours de Phrosine et Mélidore, 1797, etching and engaving.
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Silvestro Valeri, Portrait of Henri Marie Beyle (Stendhal) as Consul, Museé Stendhal, Grenoble, oil on canvas, early 19th century.
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Jacques Louis David, The Intervention of the Sabine Women, 1799, oil on canvas, 385×522 cm, Musée du Louvre, Paris.
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Antoine- Jean Gros, Napoleon on the Battlefield of Eylau, 1808, oil on canvas, 521×784 cm, Musée du Louvre, Paris.
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Vicente López, The Painter Francisco de Goya, 1826, Oil on canvas, 93×75 cm, Museo del Prado, Madrid.
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Francisco José de Goya y Lucientes, The Dream/Sleep of Reason Produces Monsters, Plate 43, Los Caprichos, 1799, etching and aquatint, Indiana University Art Museum, Bloomington, Indiana.
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Francisco José de Goya y Lucientes, The Madhouse, 1812-1814, Museo de la Real Academia de San Fernando, Madrid.
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Francisco José de Goya y Lucientes, The Third of May 1808, 1814, oil on canvas, 266×345 cm, Prado, Madrid.
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Detail.
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Caspar David Friedrich, The Chasseur in the Forest, 1814, oil on canvas, 66×47 cm, Private collection.
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Theodore Gericault, The Wounded Officer of the Imperial Guard Leaving the Battlefield, 1814, oil on canvas, 358×294 cm, Musée du Louvre, Paris.
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Theodore Gericault, Portrait of a Kleptomaniac, c. 1820, oil on canvas, 61,2×50,2 cm, Museum voor Schone Kunsten, Ghent.
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Theodore Gericault, Study of Feet and Hands, 1818-19, oil on canvas, 52×64 cm, Musée Fabre, Montpellier.
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Theodore, Gericault, The Raft of the Medusa, 1818-19, oil on canvas, 491×716 cm, Museé du Louvre, Paris.
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Eugène Delacroix, Liberty Leading the People (28th July 1830), 1830, Oil on canvas, 260×325 cm, Musée du Louvre, Paris.
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Eugène Delacroix, Attila the Hun trampling on Italy and the Arts, lunette, Chamber of Deputies, Paris, 1847.
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Francisco José de Goya y Lucientes, Nothing. The event will tell c. 1812-1820, etching and aquatint, 155×200 mm
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P.J. Prudhon, Crucifixion, 1822, oil on canvas, 278×165.5, Musée du Louvre.
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William Blake, Isaac Newton, 1795, copper engraving with pen and ink and watercolour, 460×600 mm, Tate Gallery, London.
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William Blake, Nebuchadnezzar, 1795, copper engraving with pen and ink and watercolour, 446×620 mm, Tate Gallery, London.
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William Blake, The Ancient of Days, from Europe: A Prophecy, “When he sets a compass upon the face of the deep” (Proverbs 8:27), watercolour, black ink and gold paint over a relief etched outline painted in yellow, 23.5×17, Whitworth Art Gallery, Manchester.
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William Blake, Hecate or the Three Fates, c. 1795, pen and ink with watercolour, 439×581 mm, Tate Gallery, London.
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Bertel Thorvaldsen, Christ, 1821, marble, Thorvaldsens Museum, Copenhagen.
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Bertel Thorvaldsen, Mercury Preparing to Kill Argus, 1818, marble, height 174 cm, Thorvaldsen's Museum, Copenhagen.
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Elizabeth Vigée-Lebrun, Portrait of Madame de Staël as Corinne on Cape Misenum, 1809, oil on canvas, 140×118 cm, Musée d'Art et d'Histoire, Geneva.
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Friedrich Heinrich Fuger, Alcestis Sacrifices Herself for Admetus, 1804-05, oil on canvas, 194×139 cm, Akademie der bildenden Künste, Vienna.
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Eugène Delacroix, Mephistopheles in the Sky, 1828, print, illustration to Goethe’s Faust.
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Friedrich Overbeck, The Triumph of Religion in the Arts, 1829-1840, oil on canvas, Stadel Museum, Frankfurt.
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Friedrich Overbeck, Portrait of the Painter Franz Pforr, c. 1810, oil on canvas, 62×47 cm, Nationalgalerie, Berlin.
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Franz Pforr, Shulamit and Mary, 1810-11, oil on panel, 34×32 cm, Private collection.
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K. F. Schinkel, Gothic Cathedral with Imperial Palace, 1815, oil on canvas, 94 x 140 cm, Nationalgalerie, Berlin.
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Caspar David Friedrich, Monk by the Sea, 1809, oil on canvas, 110×172 cm, Nationalgalerie, Berlin.
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Detail.
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J.M.W Turner, Snow Storm, Hannibal and his Army Crossing the Alps, 1812, oil on canvas, 145×236,5 cm, Tate Gallery, London.
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Jacques Louis David, Napoleon at the St. Bernard Pass, 1801, oil on canvas, 246×231 cm, Österreichische Galerie Belvedere, Vienna.
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Philip James de Loutherbourg, A Waterspout in the Mountains of Switzerland, 1809, oil on canvas, 106.7×157.5 cms, N.T., Petworth House.
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J.M.W. Turner, The Angel Standing in the Sun, 1846, oil on canvas, 78.7×78.7 cm, Tate, London.
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J.M.W. Turner, Light and Colour, Goethe’s Theory, The Morning after the Deluge – Moses Writing the Book of Genesis, 1843, oil on canvas, 78.5×78.5 cm, Tate, London.
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John Constable, The Leaping Horse, 1825, oil on canvas, 142×187 cm, Royal Academy of Arts, London.
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John Constable, Stonehenge, 1836, watercolour, 387×591 mm, Victoria and Albert Museum, London.
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Carl Gustav Carus, Pilgrim in a Rocky Valley, c. 1820, oil on canvas, 28×22 cm, Nationalgalerie, Berlin.
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Caspar David Friedrich, The Birefringence, 1830-1835, oil on canvas, 72×102 cm, Nationalgalerie, Berlin.
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Samuel Palmer, Early Morning, 1825, pen and ink and wash, mixed with gum arabic, varnished, 188×232 mm, Ashmolean Museum, Oxford.
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Samuel Palmer, Self-Portrait, c. 1825, black chalk heightened with white on buff paper, 291×229 mm, Ashmolean Museum, Oxford.
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Wilhelm von Kobell, Isar Landscape near Munich, 1819, oak wood, 41×53 cm, Neue Pinakothek, Munich.
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Johan Christian Clausen Dahl, Morning after a Stormy Night, 1819, oil on canvas, 75×105 cm, Neue Pinakothek, Munich.
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Christen Købke, View of a Street in Østerbro outside Copenhagen aka Morning Light, 1836, Oil on canvas, 107×162 cm, Statens Museum for Kunst, Copenhagen.
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Johann Nepomuk Hoechle, Beethoven’s Room, 1827, pen and wash, 25.8×21.1 cm, Vienna, Historical Museum of Vienna.
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Eugene Delacroix, Portrait of Paganini, 1832, oil on canvas, 42×28 cm, Philips’s Collection, Washington.
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Ingres, The Violinist Niccolò Paganini, 1819, pencil, 298×218 mm, Musée du Louvre, Paris.
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David d’ Angers, Niccolò Paganini, 1830, Bronze, 60×30 cm, Musée des Beaux-Arts, Angers.
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David d’ Angers, Alfred de Musset, 1831, cast bronze, diameter 17,2 cm, Private collection.
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Antoine-Augustin Preault, Slaughter, 1834, bronze, Musée des Beaux-Arts, Chartres.
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Telemaco Signorini, The Suburb of Porta Adriana, Ravenna, 1875, oil on canvas, 66×100 cm, Galleria Nazionale d'Arte Moderna e Contemporanea, Rome.
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Giovanni Fattori, South Westerly Wind, oil on canvas, Galleria dell'Arte Moderna, Palazzo Pitti, Florence.
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Giovanni Fattori, Silvestro Lega Painting, 1866-1867, 2.5 × 28 cm, Collection Jucker, Milan.
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Vincenzo Cabianca, Tuscan Storytellers of the 14th century, 1860, oil on canvas, Galleria dell'Arte Moderna, Palazzo Pitti, Florence.
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Julius Schnorr von Carolsfeld, Clara Bianca von Quandt, 1820, oil on panel, 37×26 cm, Nationalgalerie, Berlin.
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Silvestro Lega, The Folk Song aka Singing the Stornello, oil on canvas, Galleria dell'Arte Moderna, Palazzo Pitti, Florence.
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Giuseppe Abbati, Giovanni Fattori, Pause in the Maremma with Farmers and Ox-Cart, 1873, oil on canvas, location unknown.
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Odoardi Borrani, Sand Diggers on the Mugnone, 1880, oil on canvas141×112 cm, Galleria dell'Arte Moderna, Palazzo Pitti, Florence.
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Gustave Courbet, The Stonebreakers, 1849, oil on canvas, 165×257 cm, Gemäldegalerie, Dresden.
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Gustave Courbet, Pierre Joseph Proudhon and his Children, 1865, oil on canvas, 147×198 cm, Petit Palais, Paris.
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Silvestro Lega, Giuseppe Mazzini on his Death Bed, 1873, oil on canvas, 76×97 cm, Museum of Art, Rhode Island School of Design, Providence.
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